Christakis and Fowler explore network contagion in everything from back pain (higher incidence spread from West Germany to East Germany after the fall of the Berlin Wall) to suicide (well known to spread throughout communities on occasion) to sex practices (such as the growing prevalence of oral sex among teenagers) to politics (where the denser your network of connections, the more ideologically intense and intractable your beliefs are likely to be). And while it’s hardly surprising that emotion can be transmitted from person to person, the authors report that getting a $10,000 raise is less likely to make you happy than having a happy friend is — in fact, the raise is less likely to make you happy than is having a friend who has a friend who has a friend who is happy. They even argue — and this is sure to generate controversy — that the obsessive drive to create “nut free” environments is not the result of any real increase in children’s allergies but rather something akin to an epidemic of adult hysteria, spread via network transmission.
Wednesday, October 21, 2009
Connected; for better or for worse, 'til death do us part... or maybe longer!?
Tuesday, August 4, 2009
The Bomb
Ever since I could read, books have been saving my life and once again Henry has come through. So many times the printed words of others have illuminated my experience as if they were writing just for me. It makes me feel like everything's OK. Right now I'm reading "Tropic of Capricorn". Here's a thought for the day: "Things take place instantaneously, but there's a long process to be gone through first. What you get when something happens is only the explosion, and the second before that spark. But everything happens according to law-and with the full consent and collaboration of the whole cosmos. Before I could get up and explode the bomb had to be properly prepared, properly primed. After putting things in order for the bastards up above I had to be taken down from my high horse, had to be kicked around like a football, had to be stepped on, squelched, humiliated, fettered, manacled, made impotent as a jellyfish." - Henry Miller, Tropic of Capricorn.
I dig it.
Saturday, July 25, 2009
High on Henry Miller and Hieronymus Bosch
My body and mind pulsate as this morning’s caffeine makes its way through all systems. Buzzed, and high on Henry Miller, I’m ravenously devouring page after page of “Big Sur and the Oranges of Hieronymus Bosch”.
Try as I might to significantly lighten my load before the move I can’t seem to part with a single book and the collection continues to grow as new “Amazon” arrivals reach me daily. I’m an addict.
My first experience with Miller came when I borrowed Justin’s copy of “Tropic of Cancer” a year or two back and I tore through that with an equal hunger. Finding it delightfully timely and perfectly suited for my (then) melancholy mood and general disdain towards life I was drawn in from the very first page:
“I am living in the Villa Borghese. There is not a crumb of dirt anywhere, nor a chair misplaced. We are all alone here and we are dead. […] There will be more calamities, more death, more despair. Not the slightest indication of a change anywhere. The cancer of time is eating us away. Our heroes have killed themselves, or are killing themselves. The hero, then, is not Time, but Timelessness. We must get in step, a lock step toward the prison of death. There is no escape. The weather will not change.” Miller p.1
Pretty grim for a book that actually contains quite a bit of humor but I returned the copy to its owner and only today, received my own. I have recently found a new joy in re-reading books and discovering how different they sound at different times in my life.
Perkier now, in this current period of transition and renewal, I’m finding “Big Sur…” to be written just for me. Perhaps I heavily project, or maybe divine timing really does exist, in either case, I’ll try to share some parallels I’ve drawn so far.
Moving for my art, I frequently ponder the strangeness of abandoning the thriving artistic community in San Francisco for “a pit” (that is, according to the peanut gallery) like LA. However, I’m compelled. Then I stumble upon this, “It is my belief that the immature artist seldom thrives in idyllic surroundings. What he seems to need though I am the last to advocate it, is more first-hand experience of life – more bitter experience, in other words. In short, more struggle, more privation, more anguish, more disillusionment”. Miller p. 13
Reading this my instinct seems, somehow confirmed or rather illuminated. If everyone’s negative predictions come true, I may very well be injecting myself into an environment that will further my disillusionment and stir my bitter distaste towards (parts) of society and life in general. Or not.
I also worry about being so isolated, so potentially alone and far from the comfort of my 7x7 world. But then Miller states that, “artists never thrive in colonies. Ants do” and “what the budding artist needs is the privilege of wrestling with his problems in solitude”. Miller p.13
I have my insignificant little problems to wrestle and I’ve moved many times in my young life. Every time there is a period of real solitude while the new home is being established and during these times, difficult as they may be, my art has always thrived.
As my Buddhist practice deepens I am inspired to go more minimal. Wishing to be free, or feel freer from my possessions and attachments I have been downsizing when it comes to my belongings. It has been an interesting process, sometimes painful but ultimately rewarding for me. When it came to my artwork, I finally chose to let go of my paintings too. Snapping pictures for posterity I have placed about half on the sidewalk outside and will prime the remaining canvases to be used again. Creating a blank slate for my imagination and releasing the work that came before as a snake sheds her skin or a monk destroys his beautiful sand mandala.
“If he is an artist he will be compelled to make sacrifices which worldly people find absurd and unnecessary. In following the inner light he will inevitably choose for his boon companion poverty. And, if he has in him the makings of a great artist, he may renounce everything, even his art”. Miller p.15
Although my physical environment will soon change, I know in my heart it’s of little importance seeing as how my own mind is my reality and this body my current home. An ancient Yogic Sutra by Patanjali states that, “through contentment, supreme joy is gained”. Miller points to a similar notion saying, “one’s destination is never a place but rather a new way of looking at things. Which is to say that there are no limits to vision.” p.25 Can I find contentment or new vision this moment? Can I ever? Will I?
Pressing forward I go, still unsure, excited, always questioning, always hoping. Then scratching all that, trying to let it all go and trying to stay present and mindful. I aim for some kind of yet-to-be-discovered artistic integrity based on little more than my intuition and insanity. Life is good! Onward.